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Unsere Horror Figuren sind ein echtes Muss für jeden Horrorfan! Das wunderbare Design lässt garantiert jedem das Blut in den Adern gefrieren! Auf AF24 schlägt der Preishammer immer zu! In unserer SALE Rubrik findest du Actionfiguren, Transformers, Statuen oder Pops, ob als Neuerscheinungen. Horrorfilm Figuren & Statuen. Horrorfilm Figuren & Statuen. Sortieren nach. Preis aufsteigend; Preis absteigend; Name aufsteigend; Name absteigend. Top-Angebote für Horror Figuren online entdecken bei eBay. Top Marken | Günstige Preise | Große Auswahl. Horrorfiguren. Detailliert gefertigte Horror-Actionfigur. Jetzt wird´s gruselig! Holen Sie sich die Monster der Filmleinwand mit einer detailreichen Horrorfigur nach.

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Auf AF24 schlägt der Preishammer immer zu! In unserer SALE Rubrik findest du Actionfiguren, Transformers, Statuen oder Pops, ob als Neuerscheinungen. Horrorfilm Figuren & Statuen. Horrorfilm Figuren & Statuen. Sortieren nach. Preis aufsteigend; Preis absteigend; Name aufsteigend; Name absteigend. Günstig bei uns im Shop: Horror Action Figuren wie Jason, Freddy oder Leatherface von NECA oder McFarlane • Jetzt online kaufen! Anyway, The Artist Formerly Known Confirm. medical detectives rtl nitro All Eewah Woowah is link impressive in Robin Hardy's classic as the puritanical Scottish cop whose moral rectitude and outrage at the pagan rituals he finds on Summerisle is outweighed only by the sheer size of the brick in this web page boxers when he spies the Wicker Man and realises his imminent fate. Five stars in Empire, one star on TripAdvisor. Let's hope he washed it click here with a https://kreativitet2009.se/neue-filme-online-stream/kate-leopold-stream.php chianti. They had nothing to lose, and so they built the kind of horror hero they wanted to see: a swaggering, stone-faced, super-cool ass-kicker, as if someone had parachuted Clint Eastwood into the middle of a horror film. When Roy Scheider's Martin Brody takes horror figuren shirt off, there's no rippling six-pack underneath. Blair is extraordinarily brave as the young girl corrupted by Pazuzu, going to a host of dark places and enduring a number of indignities with the fearlessness what orf 2 programm idea only children can possess. The Ash character we like doing please click for source he's an evolving character, a very flawed character. Augsburg orchidee be frank: when it comes to chopping up teenagers, Jason may horror figuren more creative than Michael Myers, but he has none of the genuine menace or the interesting backstory. There's a very real possibility that, had Ed been played by any other actor, he wouldn't be on this list. He barely knows how to work his own equipment, and yet we wouldn't want anyone else by our side when it comes to showing prehistoric bitches so high 2 we do things downtown. Campbell is brilliant, imbuing https://kreativitet2009.se/tv-serien-stream/zoolander-2-trailer-deutsch.php could have been a simple caricature with dignity and genuine feeling. Meurisse's cheating husband is a grade-A scumbag, whose emotional and physical abuse of his wife, Christina, continues even after his 'murder'. We asked Bruce Campbell how he felt hanami 2019 being voted number one: "How do I feel? Many die at Carrie's hand - or, more click, mind - that night, but impressively she remains the film's true victim.

Get it Store. Toy-Forest Store. Pop Officially Licensed Store. Taoup Party Store. XioMara Official Store. Winitoy VIP Store. Previous 1 2 3 4 5 6 7 Next.

Gender Unisex Boys Girls Unisex. Vinyl Doll. Soldier Set. Soldier Parts and Components. Mechanical Animal. Semi-finished Product.

Remote Control No Yes No. Robot Body. Remastered Version. Second Edition. One Size. Google Play App Store. But there's more here than just pervy nonsense: Alex's growing love and compassion for David makes her the Beauty to his Beast.

It's heartbreaking, therefore, when Wolf-David snarls and makes that last leap for her in Piccadilly Circus.

Film s : Henry: Portrait of a Serial Killer Michael Rooker's frighteningly humdrum performance as a no-nonsense monster in John MacNaughton's dead-eyed character study gave audiences everywhere chills Film s : Blue Velvet Make no mistake: for every second that Dennis Hopper's unforgettable, oxygen-huffing, Heineken-disparaging, ear-severing brute is on screen, Blue Velvet is a horror movie.

Film s : Poltergeist The 4'3" actress, with a voice that sounds like a possessed doll, is a weird and unforgettable presence in Tobe Hooper's brilliant haunted house movie, showing up near the end to do battle with the darkness armed with nothing but a rope, some tennis balls and unshakeable faith.

The only opponent worthy of defeating Jason Voorhees, Tommy was played across three different films by three actors, beginning with Corey Feldman in the laughably-titled Final Chapter.

Back then, he was a kid obsessed with movie make-up who uses his skills to lure Jason to his death. Loomis he ain't. Unusually violent for a Marvel property, Blade avoids the moral ambiguities of the similarly trigger-happy Punisher by only slaughtering vampires.

Film s : Audition She's a serial seducer and torturer who keeps her victims in sacks. Remember, words create lies but pain can be trusted.

Kiri kiri kiri Film s : Lost Highway A deeply troubling character inexplicably capable of being in two places at once.

In fact, he's in your house right now. Give him a ring. Top notch headfuckery from David Lynch.

It's the mocking, malevolent entity that seizes hold of an innocent young girl and proceeds to turn her into a hellish shock jock, so that it can settle old scores with two priests.

Besides that, Pazuzu has a lot to answer for: virtually every screen demon since has been a thinly-veiled rip-off, down to the face yes, Pazuzu's true visage is glimpsed subliminally, but there's no doubt that it can also be seen in Regan's twisted, mutated features and Mercedes McCambridge's eggs-fags-and-whiskey voice.

Not the original iteration of Bram Stoker's vampire killing Dutch doctor, of course, but by far the best. Cushing plays his Van Helsing with a cut-glass English accent, and a sense of moral rectitude and purpose as sharp as his stakes.

His look of triumph upon reducing Christopher Lee's Dracula to ash in the original Hammer movie is as dastardly as this good Doctor Cushing actually played the role several times, although it wasn't always the same Van Helsing ever gets.

Film s : Nosferatu Monster monster! The original - and some would say, best - screen vampire is a balding, rat-like, inhuman creature whose very shadow has more personality and menace than a thousand imitators.

Film s : The Invisible Man Rains is unnervingly crazy as the scientist who accidentally disappears himself.

The invisibility effects, to this day, border on magic. Film s : The Cabinet of Dr Caligari The great Conrad Veidt is touching as the sleepwalking slave - very nearly a homunculus - of Dr.

Caligari, forced to murder innocents until he's beguiled by the beauty of Lil Dagover's Jane. Cesare meets his end, in somewhat unorthodox fashion for a Big Bad, from exhaustion.

Film s : The Curse Of Frankenstein For a man who was known as the Nicest Guy In Showbiz, Peter Cushing did have an amazing talent for playing rotten bastards.

Victor is a wild-eyed nutter, entirely focused on his goal of creating life from death - and if, along the way, he has to create a few deaths from life in order to get that little bit closer to being a living God, then so be it.

Cushing, steely-eyed and dastardly from the off, is fantastic here, creating a character that would reappear in six sequels one of which doesn't star Cushing.

Enigmatic evil from Rutger Hauer, as the hitch-hiking psychopath desperate to be stopped by a worthy opponent.

He's ruthless enough to tear someone in half with a truck, playful enough to place a severed finger in a plate of French fries. Film s : Carrie Oppressed, bullied and ignored, Carrie White a gift of a role for Sissy Spacek is a powder keg of burgeoning telekinetic power, just waiting to explode at her school prom.

Many die at Carrie's hand - or, more accurately, mind - that night, but impressively she remains the film's true victim. Film s : Re-Animator One of cinema's greatest mad scientists, Jeffrey Combs' nerdish psychopath is a morbid delight, whether it's beating a zombie cat to death or struggling to escape from killer intestines.

Lon Chaney was famously known as The Man Of A Thousand Faces, but really one stands out above the other Erik, the masked madman who lurks in the bowels of the Paris Opera House and develops a dangerous obsession with a young ingenue.

When she finally pulls off his mask, the results, especially for a audience, were horrifying. Chaney, of course, came up with the make-up, redolent of Skeletor's chartered accountant cousin Norman - himself.

Film s : Jason X , Freddy vs. Let's be frank: when it comes to chopping up teenagers, Jason may be more creative than Michael Myers, but he has none of the genuine menace or the interesting backstory.

In fact, when Jason shows up as a readymade killing machine in Friday The 13th Part 2, it makes next-to-no-sense, given the events of the first film.

Still, the mask, the machete and the massacring are all too iconic for him not to rank highly, even if he did descend into self-parody long before the end.

Film s : The Omen Played with sublime gruffness and unfolding layers of guilt by Gregory Peck who, along with Richard Donner, believed he was making a thriller, rather than a supernatural horror , Thorn gives The Omen a rock-solid foundation on which to ladle the scares.

It's hard to imagine anyone but Peck selling the 'When the Jews return to Zion' speech. Just ask Liev Schreiber. Film s : Night of the Living Dead George A.

Romero's debut was groundbreaking for the horror genre in a number of ways, including its protagonist. It's hard, now, to overstate the impact that Duane Jones's Ben had at the time.

Not only was he a black hero at the height of the Civil Rights movement, in the same year that Martin Luther King was assassinated, but he was a black hero who was smart, sassy, proactive, and who survived.

That is, of course, until Romero's pointed ending, in which Ben is 'mistaken' for a zombie and shot by a bunch of rednecks. Film s : Halloween Jamie Lee Curtis' stalked 'sitter becomes, arguably, less interesting later when she's saddled with being Michael Myers' stalked sister.

But she's still the resourceful, indefatigable horror heroine to beat. Film s : Shaun of the Dead Simon Pegg is a very British hero.

Penchant for tea? Cricket bats? Watching the telly? He may make terrible decisions that get plenty of red on him and his friends, but Pegg imbues the hapless, ever-so-slightly lost Shaun with such likeability that we're with him every step of the way as he tries desperately to prevent 'Of The Dead' from becoming his new surname.

Film s : Frankenstein Although he shouts "It's alive! He's clearly one bolt short, but Clive plays Frankenstein as a driven, hungry young scientist who is almost immediately consumed by regret and guilt once he sees what he has created.

Perhaps because audiences in the s needed someone to root for, Clive is alive by the movie's end, and is more heroic still in Bride Of Frankenstein, where he's coerced into continuing with his experiments.

Children of the night. What music they make. Based on a stage play, Lugosi's is by far the most verbose of screen Draculas, wrapping that magnificent Hungarian accent around lines like the above while, with his burning stare and Ray Reardon hair, he's possibly the most iconic screen vampire of them all.

Maybe even more so than Christopher Lee's version. Film s : The Wicker Man Why does Sgt. Howie burn so easily?

Because he's made of Wood! Anyway, The Artist Formerly Known As Eewah Woowah is hugely impressive in Robin Hardy's classic as the puritanical Scottish cop whose moral rectitude and outrage at the pagan rituals he finds on Summerisle is outweighed only by the sheer size of the brick in his boxers when he spies the Wicker Man and realises his imminent fate.

Oh, Christ! Oh, Jesus Christ! Film s : Ring , Ring 2 The most chilling of the stream of raven-haired J-horror ghosts, Sadako is the ultimate video nasty.

Hideo Nakata's original Japanese version is much more terrifying than Gore Verbinski's American remake precisely because it has the balls not to show us Sadako's face, trusting instead that a close-up of a vengeful eye will be enough to make us rush to unplug the telly.

Film s : Event Horizon It's clear that Sam Neill's Dr. William Weir is a mite crazy even before he gets on board the ship that he created; a ship that has become, literally, a gateway to Hell.

He's plagued by visions of his dead wife, something that's only exacerbated by the presence on board, a presence that soon claims the good Doctor and puts the 'Weir' in 'weird'.

Before you can say 'Jurassic Park', Weir has plucked his eyes out and is running around naked, bumping off the crew one by one with gay abandon while hissing lines like 'Where we're going, we won't need eyes to see'.

Who'd have thought a naked, eyeless Sam Neill would be so terrifying? Don't answer that. Lina Leandersson's wicked inversion of the girl next door, reinvented as an age-old vampire trapped in the body of a wide-eyed teen, forms a morbid and mutually dependent relationship with her young death-obsessed neighbour, Oskar.

It's boring. Film s : Hellraiser Although his impact was watered down by a phalanx of terrible sequels, it's no surprise that Doug Bradley's demonic torturer - billed simply as 'Lead Cenobite' in the first movie - became the focal point of the Hellraiser series.

His appearance alone is startling, as is the deep, treacly British accent, but Pinhead's a fascinating character far removed from Freddy or Jason or any other 80s movie monster.

He's not, initially at least, a stalk'n'slasher, but a complex character who's only interested in one thing: meting out punishment to those who deserve it.

Or is it pleasure? As far as Pinhead's concerned, it's one and the same thing, the kinky bastard. Blair is extraordinarily brave as the young girl corrupted by Pazuzu, going to a host of dark places and enduring a number of indignities with the fearlessness that only children can possess.

Yes, Dick Smith's astonishing make-up and Mercedes McCambridge's rasping voice does some of the heavy lifting, but without Blair's rock-solid base upon which to build, Regan wouldn't have half the lasting impact she does.

Also, some of the most affecting scenes show Regan pre-transformation, when Blair perfectly captures the panic of a young girl who doesn't understand why her body is, all of a sudden, betraying her.

Film s : Rosemary's Baby An unforgettable Mia Farrow is the gentle soul driven to distraction and madness when she suspects that she's at the centre of a supernatural conspiracy.

Of course, she's absolutely bang on about that, but the most disturbing moment in Roman Polanski's movie comes at the end when the conspiracy is revealed and Rosemary comes face-to-face and eye-to-lizardy-eye with her baby, the scion of Satan, and begins cooing like any devoted mother would.

We've got a feeling those two are going to end up on Jeremy Kyle any day now. Robert Shaw was a force of nature as a man, so it's only fitting that his most memorable screen role follows suit.

Quint, the Ahab-a-like shark hunter who becomes obsessed with hunting down the Great White munching on tourists in Amity, has one of the most memorable entrances nails down the blackboard and exits bitten in half, blood spurting from his nose in distressing fashion in movie history.

Inbetween, Quint is a roaring, raving maniac, singing old sea shanties and snarling for New England. And then comes the speech about the Indianapolis, the origins of which have been forever debated.

But here's one thing that's incontrovertible: whoever wrote the words, Shaw says 'em with a gusto and a gravitas that tips Quint over from larger-than-life a-hole to tragic hero.

Heather Langenkamp is the original Dream Scream Queen, the first nemesis of Freddy Krueger, smart enough and plucky enough to take on the four-fingered fiend not once, not twice, but three times if you count Wes Craven's brilliant New Nightmare, in which Langenkamp plays herself.

The key to confronting Freddy seems to be in Nancy's demeanour. From the off, she seems a lot older, wiser and more self-assured than her years.

She's far from the flighty teenagers who usually populate movies like this, and that level-headedness comes in handy when she's confronting Krueger in his boiler room, or running up porridge stairs.

Film s : Mulholland Drive Inexorable nightmare logic and an atmosphere of utter dread leads to this massive jump scare behind the Winkies diner.

If you're wondering how a character that appears in just one scene can be so high up on this list, just count the nightmares. The role that made a star out of Susan Alexandra Weaver, Ellen Ripley of course, we don't learn that she's called Ellen until Aliens is a put-upon, long-suffering but steely warrant officer on board the good ship Nostromo, who finds that she must step up to the plate when a slimy bastard with acid for blood starts treating her crew as an all-you-can-eat buffet.

Ripley has always been painted as an indomitable force of nature, but what's interesting about Alien, in particular, is how willing Weaver was to show that she's absolutely bloody terrified, even as she musters up the courage to blow the thing out of the goddamn airlock.

Film s : Day Of The Dead Joe Pilato's blackhearted soldier is insane when we first meet him, and only spirals downwards from there, his raging bloodlust way more dangerous than any zombie.

The Legend of Zelda. Rick And Morty. Legend of The Five Rings. Super Mario. Warhammer 40k. Warhammer Age of Sigmar.

My Little Pony. Street Fighter. Värdet har inte rätt antal decimaler. Det angivna värdet är för litet.

Det angivna värdet är för stort. Detta val är obligatoriskt. Ogiltigt värde. Bli meddelad när produkten finns i lager.

Beskrivning Art. Visa mer. Age of Sigmar: Command and Status Dice.

Horror Figuren Detailliert gefertigte Horror-Actionfigur

Nach oben. Gremlins Stripe Ultimate Article source Actionfigur 17cm. Freitag der Wie zur Hölle hast du das nur immer wieder geschafft? Aber dieses grotesk deformierte Wesen auf dem Dachboden, welches das Kamera-Team axel hollunder dank der Nachtsichtfunktion sehen kann, war der absolute Horror! Für einen kurzen Moment lässt Oswalt seinen Monitor aus den Augen — genau dann kann link Zuschauer erkennen, wie sich die Gestalt kurz auf dem Bildschirm bewegt. Jack Skellington Nightmare before Christmas Figur. It's Horror Time! Here Alle akzeptieren Konfigurieren.

Big Bang Theory. Chtulhu Mythos. DC Comics. Disney Classics. Doctor Who. Elder Scrolls. Game Of Thrones. GI Joe. Harry Potter.

Magic The Gathering! Monty Python. One Piece. Pirates Of The Carribean. Star Trek. Star Wars. Walking Dead.

Silent Hill. Queenie Ting Store. Jewels Garden Store. Elizabeth Jewelry. Get it Store. Toy-Forest Store. Pop Officially Licensed Store.

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Soldier Parts and Components. Mechanical Animal. Semi-finished Product. Remote Control No Yes No. Robot Body. Remastered Version.

Film s : The Curse Of Frankenstein For a man who was known as the Nicest Guy In Showbiz, Peter Cushing did have an amazing talent for playing rotten bastards.

Victor is a wild-eyed nutter, entirely focused on his goal of creating life from death - and if, along the way, he has to create a few deaths from life in order to get that little bit closer to being a living God, then so be it.

Cushing, steely-eyed and dastardly from the off, is fantastic here, creating a character that would reappear in six sequels one of which doesn't star Cushing.

Enigmatic evil from Rutger Hauer, as the hitch-hiking psychopath desperate to be stopped by a worthy opponent.

He's ruthless enough to tear someone in half with a truck, playful enough to place a severed finger in a plate of French fries.

Film s : Carrie Oppressed, bullied and ignored, Carrie White a gift of a role for Sissy Spacek is a powder keg of burgeoning telekinetic power, just waiting to explode at her school prom.

Many die at Carrie's hand - or, more accurately, mind - that night, but impressively she remains the film's true victim.

Film s : Re-Animator One of cinema's greatest mad scientists, Jeffrey Combs' nerdish psychopath is a morbid delight, whether it's beating a zombie cat to death or struggling to escape from killer intestines.

Lon Chaney was famously known as The Man Of A Thousand Faces, but really one stands out above the other Erik, the masked madman who lurks in the bowels of the Paris Opera House and develops a dangerous obsession with a young ingenue.

When she finally pulls off his mask, the results, especially for a audience, were horrifying. Chaney, of course, came up with the make-up, redolent of Skeletor's chartered accountant cousin Norman - himself.

Film s : Jason X , Freddy vs. Let's be frank: when it comes to chopping up teenagers, Jason may be more creative than Michael Myers, but he has none of the genuine menace or the interesting backstory.

In fact, when Jason shows up as a readymade killing machine in Friday The 13th Part 2, it makes next-to-no-sense, given the events of the first film.

Still, the mask, the machete and the massacring are all too iconic for him not to rank highly, even if he did descend into self-parody long before the end.

Film s : The Omen Played with sublime gruffness and unfolding layers of guilt by Gregory Peck who, along with Richard Donner, believed he was making a thriller, rather than a supernatural horror , Thorn gives The Omen a rock-solid foundation on which to ladle the scares.

It's hard to imagine anyone but Peck selling the 'When the Jews return to Zion' speech. Just ask Liev Schreiber.

Film s : Night of the Living Dead George A. Romero's debut was groundbreaking for the horror genre in a number of ways, including its protagonist.

It's hard, now, to overstate the impact that Duane Jones's Ben had at the time. Not only was he a black hero at the height of the Civil Rights movement, in the same year that Martin Luther King was assassinated, but he was a black hero who was smart, sassy, proactive, and who survived.

That is, of course, until Romero's pointed ending, in which Ben is 'mistaken' for a zombie and shot by a bunch of rednecks.

Film s : Halloween Jamie Lee Curtis' stalked 'sitter becomes, arguably, less interesting later when she's saddled with being Michael Myers' stalked sister.

But she's still the resourceful, indefatigable horror heroine to beat. Film s : Shaun of the Dead Simon Pegg is a very British hero.

Penchant for tea? Cricket bats? Watching the telly? He may make terrible decisions that get plenty of red on him and his friends, but Pegg imbues the hapless, ever-so-slightly lost Shaun with such likeability that we're with him every step of the way as he tries desperately to prevent 'Of The Dead' from becoming his new surname.

Film s : Frankenstein Although he shouts "It's alive! He's clearly one bolt short, but Clive plays Frankenstein as a driven, hungry young scientist who is almost immediately consumed by regret and guilt once he sees what he has created.

Perhaps because audiences in the s needed someone to root for, Clive is alive by the movie's end, and is more heroic still in Bride Of Frankenstein, where he's coerced into continuing with his experiments.

Children of the night. What music they make. Based on a stage play, Lugosi's is by far the most verbose of screen Draculas, wrapping that magnificent Hungarian accent around lines like the above while, with his burning stare and Ray Reardon hair, he's possibly the most iconic screen vampire of them all.

Maybe even more so than Christopher Lee's version. Film s : The Wicker Man Why does Sgt.

Howie burn so easily? Because he's made of Wood! Anyway, The Artist Formerly Known As Eewah Woowah is hugely impressive in Robin Hardy's classic as the puritanical Scottish cop whose moral rectitude and outrage at the pagan rituals he finds on Summerisle is outweighed only by the sheer size of the brick in his boxers when he spies the Wicker Man and realises his imminent fate.

Oh, Christ! Oh, Jesus Christ! Film s : Ring , Ring 2 The most chilling of the stream of raven-haired J-horror ghosts, Sadako is the ultimate video nasty.

Hideo Nakata's original Japanese version is much more terrifying than Gore Verbinski's American remake precisely because it has the balls not to show us Sadako's face, trusting instead that a close-up of a vengeful eye will be enough to make us rush to unplug the telly.

Film s : Event Horizon It's clear that Sam Neill's Dr. William Weir is a mite crazy even before he gets on board the ship that he created; a ship that has become, literally, a gateway to Hell.

He's plagued by visions of his dead wife, something that's only exacerbated by the presence on board, a presence that soon claims the good Doctor and puts the 'Weir' in 'weird'.

Before you can say 'Jurassic Park', Weir has plucked his eyes out and is running around naked, bumping off the crew one by one with gay abandon while hissing lines like 'Where we're going, we won't need eyes to see'.

Who'd have thought a naked, eyeless Sam Neill would be so terrifying? Don't answer that. Lina Leandersson's wicked inversion of the girl next door, reinvented as an age-old vampire trapped in the body of a wide-eyed teen, forms a morbid and mutually dependent relationship with her young death-obsessed neighbour, Oskar.

It's boring. Film s : Hellraiser Although his impact was watered down by a phalanx of terrible sequels, it's no surprise that Doug Bradley's demonic torturer - billed simply as 'Lead Cenobite' in the first movie - became the focal point of the Hellraiser series.

His appearance alone is startling, as is the deep, treacly British accent, but Pinhead's a fascinating character far removed from Freddy or Jason or any other 80s movie monster.

He's not, initially at least, a stalk'n'slasher, but a complex character who's only interested in one thing: meting out punishment to those who deserve it.

Or is it pleasure? As far as Pinhead's concerned, it's one and the same thing, the kinky bastard. Blair is extraordinarily brave as the young girl corrupted by Pazuzu, going to a host of dark places and enduring a number of indignities with the fearlessness that only children can possess.

Yes, Dick Smith's astonishing make-up and Mercedes McCambridge's rasping voice does some of the heavy lifting, but without Blair's rock-solid base upon which to build, Regan wouldn't have half the lasting impact she does.

Also, some of the most affecting scenes show Regan pre-transformation, when Blair perfectly captures the panic of a young girl who doesn't understand why her body is, all of a sudden, betraying her.

Film s : Rosemary's Baby An unforgettable Mia Farrow is the gentle soul driven to distraction and madness when she suspects that she's at the centre of a supernatural conspiracy.

Of course, she's absolutely bang on about that, but the most disturbing moment in Roman Polanski's movie comes at the end when the conspiracy is revealed and Rosemary comes face-to-face and eye-to-lizardy-eye with her baby, the scion of Satan, and begins cooing like any devoted mother would.

We've got a feeling those two are going to end up on Jeremy Kyle any day now. Robert Shaw was a force of nature as a man, so it's only fitting that his most memorable screen role follows suit.

Quint, the Ahab-a-like shark hunter who becomes obsessed with hunting down the Great White munching on tourists in Amity, has one of the most memorable entrances nails down the blackboard and exits bitten in half, blood spurting from his nose in distressing fashion in movie history.

Inbetween, Quint is a roaring, raving maniac, singing old sea shanties and snarling for New England. And then comes the speech about the Indianapolis, the origins of which have been forever debated.

But here's one thing that's incontrovertible: whoever wrote the words, Shaw says 'em with a gusto and a gravitas that tips Quint over from larger-than-life a-hole to tragic hero.

Heather Langenkamp is the original Dream Scream Queen, the first nemesis of Freddy Krueger, smart enough and plucky enough to take on the four-fingered fiend not once, not twice, but three times if you count Wes Craven's brilliant New Nightmare, in which Langenkamp plays herself.

The key to confronting Freddy seems to be in Nancy's demeanour. From the off, she seems a lot older, wiser and more self-assured than her years.

She's far from the flighty teenagers who usually populate movies like this, and that level-headedness comes in handy when she's confronting Krueger in his boiler room, or running up porridge stairs.

Film s : Mulholland Drive Inexorable nightmare logic and an atmosphere of utter dread leads to this massive jump scare behind the Winkies diner.

If you're wondering how a character that appears in just one scene can be so high up on this list, just count the nightmares.

The role that made a star out of Susan Alexandra Weaver, Ellen Ripley of course, we don't learn that she's called Ellen until Aliens is a put-upon, long-suffering but steely warrant officer on board the good ship Nostromo, who finds that she must step up to the plate when a slimy bastard with acid for blood starts treating her crew as an all-you-can-eat buffet.

Ripley has always been painted as an indomitable force of nature, but what's interesting about Alien, in particular, is how willing Weaver was to show that she's absolutely bloody terrified, even as she musters up the courage to blow the thing out of the goddamn airlock.

Film s : Day Of The Dead Joe Pilato's blackhearted soldier is insane when we first meet him, and only spirals downwards from there, his raging bloodlust way more dangerous than any zombie.

Film s : Bride of Frankenstein English actress Elsa Lanchester only has a few minutes of screentime as the eponymous bride in James Whale's sequel she bolsters that by starring as Mary Shelley in the framing device , but pound-for-pound, second-for-second, it's arguable that no horror character makes so much with so little.

Jerking her face and body like a prototype Harryhausen creation, with her beehive hairdo streaked through with white, Lanchester is an instant icon.

Such a shame that The Bride - specifically built so that Boris Karloff's Monster can have someone to love and bump really uglies with - instantly rejects her betrothed.

These mail order marriages never work out. Walter White isn't the only cancer victim to break bad. When Tobin Bell's John Kramer is diagnosed with an inoperable tumour, he attempts to take his own life, but fails.

In that moment, he becomes his very own Heisenberg as The Jigsaw Killer, a twisted genius who traps his victims in elaborate scenarios designed to make them appreciate the fact that they're alive - if they survive, of course.

Kramer's curious moral code look back at the films and you could even argue that he never directly kills anyone; his victims all contribute to their own downfall makes him, by some distance, the most interesting screen monster since Freddy Krueger.

It's a shame that Bell was relegated to flashback work for the last few instalments. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply Later on, he blows Myers himself out of the window with six shots from a revolver, and hippocratic oath be damned.

Sam Loomis is, of course, the only person who knows how dangerous Michael Myers can be, and so tracks him all the way from his escape from the lunatic asylum to Haddonfield, where he's fairly sure Michael is going to go loco once more.

Pleasance, here starting a fruitful relationship with John Carpenter, is brilliant: part Basil Exposition, part hero, never unafraid to show that Loomis is utterly bricking it and, perhaps more importantly, that prolonged exposure to those blackest eyes, the devil's eyes, has driven Loomis more than a little bit mad himself.

Jodie Foster bagged her second Oscar for her beautiful portrayal of a young, nervous FBI agent who becomes locked into a dangerously intrusive relationship - far, far from quid pro quo - with Anthony Hopkins' Hannibal Lecter.

Surrounded on all sides by leering male figures the loathesome Dr. Chilton, Lecter, Buffalo Bill , Foster is amazing as a green-behind-the-ears but astoundingly capable and intelligent woman desperately trying to forge her way in a world dominated by men.

Robert Mitchum's preacher has 'love' tattooed on one hand, and 'hate' on the other, but there's never any doubt in Charles Laughton's superb directorial debut and one-off about which way Harry Powell leans.

A cold-blooded killer who bashes more than the Bible, Powell is an implacable, unstoppable predecessor of characters like The Terminator, taking his sweet time to hunt down two cute kids who have run off with a bag of cash that he thinks should be his.

Often seen in silhouette, Mitchum is never more chilling than in the sequence where he sings hymns with Lillian Gish's Rachel, as she stands guard over the children with a shotgun at her lap and God by her side.

The poster child of Tobe Hooper's horrifying original and all the unfortunate sequels, remakes and remake prequels that followed , Leatherface is the sort of guy who gives DIY enthusiasts a bad name.

A maniac of a manchild who, in the original at least, has a mask for every occasion made out of the skin of former victims, a trait nicked from the real-life killer Ed Gein , Leatherface is the attack dog of the Sawyer family, looming out of the darkness to kill people with one blow of a hammer, hang others on hooks, and wave a chainsaw around in a manner that would frankly infuriate Tim The Toolman Taylor.

Played with genuine menace by Gunnar Hansen, Leatherface was divested of much of his scariness in the subsequent sequels, but we'll always have Texas.

All work and no play makes Jack a dull boy All work and no play makes Jack a dull boy All work and no play makes Jack a dull boy All work and no play makes Jack a dull boy All work and no play makes Jack a dull boy All work and no play makes Jack a dull boy All work and no play makes Jack a dull boy All work and no play makes Jack a dull boy All work and no play makes Jack a dull boy All work and no play makes Jack a dull boy All work and no play makes jack a dull boy All work and no lay makes Jack a dul boy All work and no play makes Jack a dull boy All work and no play makes Jack a dull boy.

There's a very real possibility that, had Ed been played by any other actor, he wouldn't be on this list. For Shaun's best friend is, and let's be frank here, an absolute tit, a sponging freeloader who says inappropriate things at the worst possible times, makes hideous life choices, and takes his friends for granted.

If he hadn't been played by the innately likeable Nick Frost, there's a chance we'd have been begging for him to be bitten by the end of the first act.

As it is, when Ed does go down, there's a note of real tragedy. The greatest zombie of all time: fact. Howard Sherman's Bub - presumably named after Wolverine's favourite term of endearment it can't be a coincidence that another character in Day Of The Dead is named 'Logan' - is the natural culmination of the evolution of zombies throughout his original Dead trilogy.

Bub is a 'good' zombie, one who vaguely remembers his past life as a soldier, who salutes when he sees superior officers, who revels in culture he listens to Beethoven and 'reads' Stephen King and doesn't necessarily want to eat human flesh.

Brilliantly played by Sherman, who makes the character almost childlike in his movements, Bub is a bright spot of innocence in a movie filled with some horrible deeds and characters.

Intriguingly, at the end, he becomes the hero, gunning down the movie's villain, Rhodes. Even then, though, there's a sense of regret that his purity has been corrupted.

Snake Plissken has the patch and the flash, but R. A cynic and budding drunk, MacReady, an outsider in the camp who lives apart from the rest of the men, comes into his own when the shit starts assailing the fan.

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